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<channel>
	<title>Teresa Castro</title>
	<link>https://teresacastro.cargo.site</link>
	<description>Teresa Castro</description>
	<pubDate>Fri, 30 Jan 2026 12:03:51 +0000</pubDate>
	<generator>https://teresacastro.cargo.site</generator>
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		<title>Madre Antiga</title>
				
		<link>https://teresacastro.cargo.site/Madre-Antiga</link>

		<pubDate>Fri, 30 Jan 2026 12:03:51 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Madre-Antiga</guid>

		<description>
	Madre Antiga


	
Multichannel soundscape00:17:33, loop

Arouca Monastery, 2025
Quadraphonic sound evocation based on recordings made by the artist in residence with the Popular Polyphonic Singing Groups of Arouca. The piece also incorporates sounds from the surrounding soundscape and interventions by the artist herself on synthesiser and voice, resonating the connection between female voices, the earth and ancestral memory.



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		<title>Pedra Dura</title>
				
		<link>https://teresacastro.cargo.site/Pedra-Dura</link>

		<pubDate>Sun, 09 Feb 2025 13:05:02 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Pedra-Dura</guid>

		<description>
	Pedra Dura

Speculative Listening to a Landscape in Transformation
	
Sound/ multimedia installationCentro Cultural do Porto, 2023
Masters Thesis project
We consider an object inert because we are unable to perceive the slow change in its materiality. A mountain appears the same to us, just like a stone, but geological cycles are also in progress, simultaneously with organic cycles, even if we do not perceive them with the naked eye. Assuming that objects are not just the image we see in our brains, but also the process of their creation, this sound installation speculates on a geological narrative by intersecting field recordings with the morphological analysis of São Paio beach in Labruge. The contours of certain geological elements of this place are monitored and used to manipulate the soundscape, resulting in a zone of turbulence where documentary and speculation overlap, producing a third sound with which we are invited to engage. Proposing to listen to non-human entities, shifting away from an anthropocentric focus, puts us in contact with our environment and fosters an ecological empathy that invites us to reflect on how we relate to Nature and the urgency of this relationship.

Watch the teaser
Listen to the composition


&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/9fcfc74a426dc07c2a91a37066bdea69ddbe4d86c8e912eb7f014195f6a81697/leitor3.jpg" data-mid="227218750" border="0"  src="https://freight.cargo.site/w/1000/i/9fcfc74a426dc07c2a91a37066bdea69ddbe4d86c8e912eb7f014195f6a81697/leitor3.jpg" /&#62;&#60;img width="3690" height="2076" width_o="3690" height_o="2076" data-src="https://freight.cargo.site/t/original/i/d1343336850040b1faa0f41bd8dda7e61f066e788ed47aab808377b310161d97/IMG_9366.png" data-mid="227218752" border="0"  src="https://freight.cargo.site/w/1000/i/d1343336850040b1faa0f41bd8dda7e61f066e788ed47aab808377b310161d97/IMG_9366.png" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a4c68c1c4ce551b428db52956bdb485a4e15b9a7b19417bd303796057a6667a4/917a158b-4152-46e9-b418-6db02f6c0371.JPG" data-mid="227219791" border="0"  src="https://freight.cargo.site/w/1000/i/a4c68c1c4ce551b428db52956bdb485a4e15b9a7b19417bd303796057a6667a4/917a158b-4152-46e9-b418-6db02f6c0371.JPG" /&#62;&#60;img width="1022" height="575" width_o="1022" height_o="575" data-src="https://freight.cargo.site/t/original/i/35adde57e1e78d3459029b505b3a95977e4169024c8a9ea5982c8631a2752248/A12409A2-2294-4B32-AC59-83B02A1ADAB5_1_105_c.png" data-mid="227219794" border="0"  src="https://freight.cargo.site/w/1000/i/35adde57e1e78d3459029b505b3a95977e4169024c8a9ea5982c8631a2752248/A12409A2-2294-4B32-AC59-83B02A1ADAB5_1_105_c.png" /&#62;</description>
		
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		<title>Morphic Attunement</title>
				
		<link>https://teresacastro.cargo.site/Morphic-Attunement</link>

		<pubDate>Sun, 09 Feb 2025 12:54:24 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Morphic-Attunement</guid>

		<description>
	Morphic Attunement




	
Sound/ multimedia installationCentro Cultural do Porto, 2023

How can we establish contact with non-human entities through technology, and what are the consequences of this relationship? This installation by Teresa Castro and Miguel Loureiro speculates on listening to a place through its geomorphology, proposing a remix of the soundscape and visual landscape by monitoring real-time values assigned to the contours of rocks collected at Castro de São Paio. It invites the observation of stones (and objects) as part of their creation process, thus speculating a lithic narrative that generates new meanings translated through technology.
Medium: sound, projection, electronics, graniteAuthors: Teresa Castro and Miguel Loureiro

Watch the teaser


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	<item>
		<title>Invisible Contour</title>
				
		<link>https://teresacastro.cargo.site/Invisible-Contour</link>

		<pubDate>Fri, 18 Feb 2022 20:39:32 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Invisible-Contour</guid>

		<description>
	Invisible Contour




	
Sound installation
2020

Invisible Contour began in 2020 as an exploratory project. The sound of bells ringing from the same bell tower were recorded in 15 different places, each resulting in a different perception of the same source of sound. All this came to life in an installation where the visitor would experience space by activating the hidden speakers on the ceiling with his or her presence. Resulting in an invisible search for sound through interaction, the visitors are transported to the streets and specific time and locations where those sounds were recorded.
Watch the installation preview.

Listen to the bells recordings.



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</description>
		
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	<item>
		<title>Organic Map</title>
				
		<link>https://teresacastro.cargo.site/Organic-Map</link>

		<pubDate>Fri, 18 Feb 2022 20:39:32 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Organic-Map</guid>

		<description>Organic Map
	Mixed media
2021
Organic Map is a metodology created to interpret scientific data through creative processes, in this case, performance. The object of study was the noise of Botanical Garden of Lisbon.&#38;nbsp;
Automatized through computation, the values in dBs of the noise in the garden are randomly enumerated to the performer and it’s up to his/ her artistic direction to interpret this numeric information through body expression. Also through computation, the location and movement of the performer are tracked, saved and drawn, creating an alternative noise map.
This project was done in collaboration with José Antunes, Marta Alves and Marta Costa.



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</description>
		
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	<item>
		<title>Childhood Islands</title>
				
		<link>https://teresacastro.cargo.site/Childhood-Islands</link>

		<pubDate>Thu, 24 Feb 2022 19:17:33 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Childhood-Islands</guid>

		<description>Childhood Islands
	Experimental Photography
2022I remember my childhood as I stare at these crystals. Each correpsponds to a part of the collection I hold close from a very young age. The curiosity about the realm of the natural and of the dreams is cristalized in the imaginary of my growing up, and here it gets drawn with light in this series of analog photograms. &#38;nbsp;The search for the maximum definition in their contours and the transparencies is willingful. Their cut ups draw spacio-temporal geographies that remit to long exploratory paths. The refraction of the light proposes a vertical depth of each moment where the creativity of thought as a child was against the law of gravity. The order of the photograms is random, so they can be re-organized.
Paper, gelatin and silverBox dimmentions: 16cmx22cm
Unique object






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&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/c6f1eae753abdef1389f4a014ced2a941cce37f30815794c02d0c6673961bf9a/DSC00873.jpg" data-mid="134577933" border="0"  src="https://freight.cargo.site/w/1000/i/c6f1eae753abdef1389f4a014ced2a941cce37f30815794c02d0c6673961bf9a/DSC00873.jpg" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/2c86bed3945524638fd5b7257fe0d743c5eeee1b0f918602c0cc00c36848d05b/DSC00932.jpg" data-mid="134577936" border="0"  src="https://freight.cargo.site/w/1000/i/2c86bed3945524638fd5b7257fe0d743c5eeee1b0f918602c0cc00c36848d05b/DSC00932.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Page nav</title>
				
		<link>https://teresacastro.cargo.site/Page-nav</link>

		<pubDate>Fri, 18 Feb 2022 20:39:36 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Page-nav</guid>

		<description>︎︎︎Index &#38;nbsp; Next ︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>landing page</title>
				
		<link>https://teresacastro.cargo.site/landing-page</link>

		<pubDate>Wed, 14 Jun 2023 12:00:09 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/landing-page</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Artwork</title>
				
		<link>https://teresacastro.cargo.site/Artwork</link>

		<pubDate>Sat, 19 Feb 2022 13:38:21 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Artwork</guid>

		<description>
	Design/ artwork
	I have been exploring the paths of creative graphic design — using analog, DIY sources like painting, linocut or typography to create posters and cover art for other artists, companies and myself.

	


	

&#38;nbsp;

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</description>
		
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	<item>
		<title>Music</title>
				
		<link>https://teresacastro.cargo.site/Music-1</link>

		<pubDate>Sat, 19 Feb 2022 09:34:54 +0000</pubDate>

		<dc:creator>Teresa Castro</dc:creator>

		<guid isPermaLink="true">https://teresacastro.cargo.site/Music-1</guid>

		<description>Music
	
	
Calcutá


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Original Soundtrack for Cinema and Theatre


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&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/05f303d94dae80c5658015d96babca581bfb846d058d33cfdc94e3560c7eac5a/a1176038422_16.jpg" data-mid="227219833" border="0"  src="https://freight.cargo.site/w/700/i/05f303d94dae80c5658015d96babca581bfb846d058d33cfdc94e3560c7eac5a/a1176038422_16.jpg" /&#62;

Collaborations and compilations

&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/77cacf50b47650d147792aaf2331331ec621e6e55b2328577abc741d3f11f2b1/a1213270034_16.jpg" data-mid="244619709" border="0"  src="https://freight.cargo.site/w/700/i/77cacf50b47650d147792aaf2331331ec621e6e55b2328577abc741d3f11f2b1/a1213270034_16.jpg" /&#62;
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Calcutá is the&#38;nbsp;sonic&#38;nbsp;territory of&#38;nbsp;Teresa Castro, a composer, multi-instrumentalist and sound artist based in Porto. With a background in classical guitar, she intertwines lines of folk, drone, ambient and experimental music, creating a&#38;nbsp;sonic&#38;nbsp;lexicon entirely her own: insistent guitars, harmoniums that seem to breathe like living organisms, and subtle yet effective electronics that make the whole ritual pulse. Her voice – at times an intimate lament, at times a long held breath – becomes an instrument that guides us through spaces where time slows down and listening grows denser.

Her evocative compositions exist as fragments of an inner world, inviting us to contemplate emotional landscapes emerging from abstraction, texture and tone. Each piece works as a shelter for feeling, a meditative gesture or a body dissolving into resonance.

Calcutá’s first demo Love Path Again&#38;nbsp;appeared in 2015, followed by&#38;nbsp;Over Night&#38;nbsp;(2017). In 2024 she released&#38;nbsp;Feux d’Artifice, an ambient work that marked a new phase in her practice. Alongside her recorded output, she has composed for theatre – Real Dog (Solange Freitas, 2017) – and for film – Anoche Conquisté Tebas (Gabriel Azorín, 2025). As a sound artist, she has developed several installations, most recently the quadraphonic work&#38;nbsp;“Madre Antiga”, created for the Monastery of Arouca in 2025.

On stage, joined by Maria Amaro&#38;nbsp;on double bass,&#38;nbsp;Calcutá&#38;nbsp;offers a dense, free-form and hypnotic performance. Voice, guitar, harmonium and electronics unravel slowly, building a shared space of attentive listening – halfway between concert, ritual and soundscape.

In December 2025 she releases “Eterno Retorno”, the first single from her debut full-length Soon After Dawn, out on&#38;nbsp;23 January 2026. With this album,&#38;nbsp;Calcutá&#38;nbsp;deepens her exploration of memory, cycles and liminal states between night and morning, inviting audiences into a world where songs stretch, breathe and blur into shimmering landscapes. 

Releases as Calcutá
2025 Soon After Dawn
2024 feux d’artifice (single)2020 Real Dog (soundtrack for a theatre play by Solange Freitas)2017 Over Night (EP)2015 Love Path Again (Single)



All collaborationsApril Marmara, Filipe Sambado, Emil Saiz, Oswaldo Terrones, Silvia Torres, Adrian Ceballos, Jasmim, Mighty Sands, Borja Caro,&#38;nbsp; Legendary Tigerman, António Poppe, José Mendes, Steve Gunn, Helena Espval, Savage Ohms, Alek Rein, Sun Blossoms, Gonçalo Formiga, Ron Guetta, Keep Razors Sharp, Violeta Azevedo, Solange Freitas, Francisca Marvão, Luís Barros, Ditch Days, Rui Antunes, Luís Severo...Listen at&#38;nbsp;Bandcamp
Listen at Spotify&#38;nbsp;
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